Originally posted in May 2017. 

It has been a while since I posted an update. I am pregnant and have been very ill. I am trying to get myself motivated to get back into the studio and make new work, something that has been a challenge on top of preparing for this summer's art fairs. This is the first time I am giving my all to the art fairs, so it is taking a lot of work to prepare. Brochures, labels, boxes, packaging, building walls and tables... the list of to-dos go on. I only have a month until my first fair, so it is time to get serious. 

Here are some snap shots of the state of my studio. 

This was originally posted in 2017

This is my first video! This painting was made with ink, salt, alum, and silver leaf. I love the process of making these pieces, so this is my attempt to share my love of the process. The song is Waltz in A minor by Chopin, performed by Aya Higuchi. It is a special song to me because Chopin is my favorite composer, and I have performed this song at several performances (back in the day). Thank you for viewing. Please note, this artwork has sold. 

Originally posted in January 2017.

Here are a few of my new pieces that are waiting to get framed. We cut the maple, now we just have to assemble, varnish, and purchase the glass. It's a long process from start to finish, but at least it is rewarding. 

I have been experimenting with alternative materials, and different subject matter. I am breaking from my theme, hoping it will come full circle in the end. I have a lot of ideas but I am still in the phase were I am figuring out how to execute them. It's intimating and exciting. I hope to take some in-progress shots soon. I am also working on a video. 

Thank you, as always.

Alexa

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Originally posted in January 2017.

I am really happy with how these turned out. The gilding (silver, gold, and copper leaf) is incredibly hard to capture in a photograph, and these photos do not do any of the pieces justice--but at least you can get an idea. The paintings are rather intricate, and fun to look at up close. The gilding pops from far away, and during different times of day. I love that an artwork can change with time. That seems to be a big part of what I am interested in. 

You can purchase these works in my Gallery. 

Originally posted in January 2017.

I am sharing this piece because I painted the moth 2 years ago. It sat on my (self proclaimed) "wall of failures", incomplete this whole time until I decided to add the Penrose triangle. I have been captivated by impossible shapes ever since I studied Gerhard Richter's Impossible Object series at the Art Institute of Chicago almost 10 years ago. I am happy to be exploring this subject in my own work.