A skull and a beetle

Originally posted in January 2017.

Here are a few of my new pieces that are waiting to get framed. We cut the maple, now we just have to assemble, varnish, and purchase the glass. It's a long process from start to finish, but at least it is rewarding. 

I have been experimenting with alternative materials, and different subject matter. I am breaking from my theme, hoping it will come full circle in the end. I have a lot of ideas but I am still in the phase were I am figuring out how to execute them. It's intimating and exciting. I hope to take some in-progress shots soon. I am also working on a video. 

Thank you, as always.

Alexa

A few photos from my newest series

Originally posted in January 2017.

I am really happy with how these turned out. The gilding (silver, gold, and copper leaf) is incredibly hard to capture in a photograph, and these photos do not do any of the pieces justice--but at least you can get an idea. The paintings are rather intricate, and fun to look at up close. The gilding pops from far away, and during different times of day. I love that an artwork can change with time. That seems to be a big part of what I am interested in. 

You can purchase these works in my Gallery

Impossible

Originally posted in January 2017.

I am sharing this piece because I painted the moth 2 years ago. It sat on my (self proclaimed) "wall of failures", incomplete this whole time until I decided to add the Penrose triangle. I have been captivated by impossible shapes ever since I studied Gerhard Richter's Impossible Object series at the Art Institute of Chicago almost 10 years ago. I am happy to be exploring this subject in my own work. 

PenroseMoth_side4.jpg
Hello to Myself

Alright, here we go. I am notoriously inconsistent at Blogging, so I have steered clear of it for the last several years. Now, after reminiscing over my Instagram account and realizing how cool it is to look back and see my progression as an artist, I admit it's time for a more formal way of documenting my life, process, and ideas. 

Here are two portraits I made years ago. The subject matter are Armenian women who were kidnapped and displaced during the Armenian Genocide in Turkey in the early 1900's. These women were taken by nomad tribes, and were tattooed on their faces. Later, some were released to their families. My grandmother knew of these women, who were her mother's age. 

The portraits were made by degrading an image over and over again, and then scanning the degraded image and piecing it back together again digitally (much like a puzzle). The final product was a hand pulled, 4 color Lithograph made from the digital image.